This item should arrive on the three hundred and
twenty-eighth anniversary of the birth of Johann Sebastian Bach. Not everyone
enjoys Baroque music, but anyone whose compositions endure for more than three
hundred years deserves respect. The following reflections attempt to connect
facts about Bach with the call we receive in baptism (on which we reflect
during Lent) and with Holy Week (for which Bach composed no small amount of
music).
Bach spent much of his life perfecting the fugue. When he
took his first breaths, the church had primary influence on the lives of most
Europeans. The discipline and earnestness of the fugue echoed the sway of the
church on daily life and cultural norms. By the time Bach entered the Church
Triumphant, the varied pursuits of the Enlightenment were changing culture
significantly. Almost as soon as Bach died, the form he perfected became passé.
That does not, however, diminish his endeavors. Baptism calls us to live our
faith here and now and to allow what we believe and whom we follow to affect
present individuals and practices. The forms by which we express them vary, but
life, love, and faith endure. God does not call us to mimic those who preceded
us or to restrict those who follow us. Rather God calls us to build on the
foundation we inherited and to lay a foundation for our heirs. Bach did that.
How's that going for us?
The stern portraits we view of Bach often make him seem dour
and humorless. Yet, many of his contemporaries described the "holy
cantor" as a man quick to join in trivial amusements. Those who understand
music much better than I note that Bach appears to have had fun as he composed and
that his smiles appear often in his music. His first biographer, Johann
Nicholas Forkel, described his musical genius as cheerful and even jocose.
While squeezing more than eleven hundred compositions, care for his large
family, and constant wrestling with congregational dynamics into his sixty-five
years, Bach found and made room for joy. Baptism calls us to similar gladness.
Although little that we do in faith comes easily and our most important tasks
stretch us considerably, we can with Paul "rejoice in the Lord
always" because blessings weave and worm their way into everything. Do
those around us know us for our gladness?
Even those of us who do not appreciate his music recognize
Bach's name and fame as a composer. In the eighteenth century, however, most
knew Bach primarily or solely as a performer, a virtuoso on the harpsichord and
organ. The compositions of Vivaldi, Telemann, Scarlatti, and Handel drew rave
reviews and adulation. Most of what Bach composed did not become known to the
public until a century or more after his death. Similarly, we respond to God's
call not for the recognition but because doing so makes us more alive and
echoes true in our depths. Like many Reformed musicians, Bach wrote the letters
S D G at the start and end of his compositions. They stand for the Latin words
"Soli Deo Gloria," which means "Glory to God Alone." Surely
Bach had as much pride as most of us; but he knew and pointed to his maker. Our
tradition declares that we have no purpose higher than to glorify and enjoy
God. Most of the celebrities we admire point primarily to themselves. The
baptized point to God. How's that going?
As we enter Holy Week and follow Jesus past the palms and
the upper room, beyond Gethsemane and Golgotha, and into the tomb, where we
await the light in silent stillness, please remember that we find ourselves by
losing ourselves in the call that leads to true life.
Lenten Blessings,
LP
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